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GUNTHER VON HAGENS’ BODY WORLDS EXHIBITIONS MARK 25th MILLION VISITOR MILESTONE

Heidelberg, Germany, April 28, 2008—Gunther von Hagens’ BODY WORLDS, the traveling anatomical exhibitions of  donor bodies welcomes its 25th million visitor this week. Though it will not be known if the distinction will go to a visitor entering the turnstile at BODY WORLDS in Los Angeles, or if the honor will go instead to a visitor at BODY WORLDS in Milwaukee, or Baltimore, or Manchester, England, the number is a stellar achievement in museum exhibition history.

Since 1996, when anatomist, Gunther von Hagens presented the first BODY WORLDS  at the National Science Center in Tokyo, to commemorate the centennial of the Japanese Anatomical Society, the exhibitions, now numbering four, have struck a deep chord and resonated with people in 47 cities around the world.  In Los Angeles, more than 1 million people have seen BODY WORLDS in its three editions; in Chicago—1,187,583; Berlin—1,393,902;  Seoul—2,039,136; London—840,611;  Brussels—506,793; Denver—687,022.

The numbers are so staggering that Jeff Rudolph, President of the California Science Center, who presented the first BODY WORLDS exhibition in North America, followed by the second and, now, third of  Dr. von Hagens’  exhibitions, coined a new term for the phenomena—The BODY WORLDS Effect.  “BODY WORLDS brought not just expanded audiences … but enhanced our brand as a science learning institution,” wrote Rudolph, who is now also one of  8,458 registered donors in the Body Donation Program of the Institute for Plastination in Heidelberg, Germany, the primary source of bodies in BODY WORLDS exhibitions.

A seminal museum experience that inserted the post-mortal body into the cultural landscape and contemporary consciousness, BODY WORLDS exhibitions have fulfilled their mission of public health and science education, but also forever changed our notions about conception and death by provoking philosophical and religious reflection in visitors.

In the October 2007 Journal of Medical Humanities, Dr. Charleen Moore of University of Texas and Dr. C. McKenzie Brown of Trinity University, who examined more than 70,000 visitor comments about BODY WORLDS wrote: “For many visitors, both laypersons and the medically trained, it is very much a kind of meditation hall where they are compelled to ponder deep assumptions about their own personal and social identity, their relationship to the universe and/or to God, and to the meaning and purpose of life.”  The comment books, wrote Moore and Brown, frequently mirror the social, political and ideological issues in contemporary society and what amounts to running debates on especially controversial issues, serving as a microcosm of the culture wars currently fought in society at large.

The success of the exhibitions created by Dr. von Hagens—who invented the science of Plastination, the anatomical specimen preservation method that makes it possible to present the aesthetic, didactic anatomy evident in BODY WORLDS—has spawned a number of copycat displays by commercial interests also claiming the mission of public health, but none claiming the legal consent of those on display.

For Gunther von Hagens, the inventor of Plastination and the mind behind BODY WORLDS—once described as, “an envelope pusher and intellectual adventurer of the type humankind occasionally needs,” and honored last year as a Modern Day Leonardo Da Vinci—the exhibitions are not an elegy but a celebration of human potential.  “We humans are the only self regarding beings on the planet, and the exhibitions are a forum for introspection, to contemplate life in the absence of the animating spirit and soul.  Twenty-five million visitors may amount to a mass introspection on our humanity, but I am delighted even more that the experience for each person is singular and emotional.”

Gunther von Hagens is currently working on the third chapter of his anatomical opus, The Human Saga, a special feature on Aging that followsThe Three Pound Gem, which focuses on the brain, now showing in Baltimore, and The Story of the Heart, which considers cardiology and heart health, now in Los Angeles.

For more information please contact:
Gail Vida Hamburg
g.hamburg(at)plastination.com or 312-602-5369
or
Georgina Gomez
g.gomez@plastination.com or 213-291-9572


SPECIMENS IN BODY WORLDS EXHIBITIONS STEM FROM GERMAN BODY DONATION PROGRAM

Heidelberg, Germany, February 18, 2008—The Institute for Plastination commends ABC's 20/20 for its investigation on the origin of bodies on display in public anatomical exhibitions. The program served to inform and educate the public about anatomical exhibitions in general, and the origins of bodies used in anatomical exhibitions in particular. However, the Institute for Plastination wishes to clarify two vague statements made by anatomist, Dr. Gunther von Hagens to 20/20, that may have confused Associated Press, other media, and the public about the origin of the bodies in BODY WORLDS exhibitions.  

In the interview conducted entirely in English (Dr. von Hagens' second language), he said that he had "stopped using bodies from China," and that "he had cremated some bodies that showed head injuries." His incomplete statements-presented without context or chronology-led some to conclude that he had once used Chinese bodies in the BODY WORLDS exhibitions, and had since ceased to do so.  

In his interview, Dr. von Hagens neglected to mention that from 2003 to 2004, he was frequently asked by Chinese universities to complete plastination of anatomical specimens belonging to their medical schools. The specimens were delivered by the universities to Dr. von Hagens for plastination, and returned after the plastination process. In his interview, Dr. von Hagens failed to explain that he was referring to his secondary plastination work for medical schools, and not his  primary work of donor plastination for BODY WORLDS exhibitions.  

In fact-with the exception of fetuses from historical anatomical collections pre-dating 1930, and some small organs from hospital anatomy and pathology programs-all of the specimens in BODY WORLDS (more than 180 out of 200 specimens per exhibit), originate from the Institute for Plastination's Body Donation Program, established in Heidelberg in 1982 and managed by the Institute for Plastination since 1993.

As of January 2008, the Institute for Plastination's Body Donation roster includes 8244 living donors from around the world (7076 Germans and 659 Americans) and 546 deceased donors (538 Germans and 8 Americans). The Institute for Plastination apologizes for the confusion that arose from the vague statements made by Dr. von Hagens in his favored, but not first, language.

For more information please contact:
Gail Vida Hamburg, Director of Communications
Gunther von Hagens' BODY WORLDS & Institute for Plastination, Heidelberg, Germany
g.hamburg(at)plastination.com